{"id":46,"date":"2023-07-19T11:43:29","date_gmt":"2023-07-19T15:43:29","guid":{"rendered":"https:\/\/sites.usnh.edu\/commentary\/?page_id=46"},"modified":"2025-05-09T15:33:25","modified_gmt":"2025-05-09T19:33:25","slug":"archived-editions","status":"publish","type":"page","link":"https:\/\/sites.usnh.edu\/commentary\/archived-editions\/","title":{"rendered":"Archived Editions"},"content":{"rendered":"\n\n\t

2023<\/h2>\n\t\t\t\t\n\t\t\t\t\"2023_picture\"\n\t\t\t\t<\/a>\n\t

Staff Bios, Author Bios, and Abstracts Brochure<\/a><\/strong><\/p>\n

Honors Theses, 2022<\/strong><\/p>\n

“How the Media Frame Mental Health and Social Media: A Case Study of the Facebook Whistelblower” by Meghan Switzgable<\/a><\/p>\n

“Public Monuments in Changing Societies and Political Orders” by Jake Connolly <\/a><\/p>\n

“The Orgasm Gap: What Role Does the Patriarchy Play in the Bedroom?” By Merrimac Moran <\/a><\/p>\n\t

Multimedia Messages<\/strong><\/p>\n\t\t\t\t\"come_back_home_picture\n\t

Come Back Home: Music, Dance, and Video Design as Methods of Relational Truth-Seeking<\/em>\u00a0by\u00a0Emily Shafritz, Lily Neher, Emily Wazer, Kevin Healey, Liese Zahabi\u00a0<\/a><\/p>\n\t\t\t\t\"digital_populism_of_thaksin_shinawatra_picture\"\n\t

“Cloud Rhetoric: Digital Populism of Thaksin Shinawatra” by Thomas Butt<\/a><\/p>\n\t\t\t\t\"youth_and_media_picture\n\t

“Youth and Media Digital Portfolio” by Jacqueline Helle<\/a>\u00a0<\/u><\/p>\n\t\t\t\t\"the_nerd_and_the_artist_picture\"\n\t

“The Nerd and the Artist” by Lydia Osmer\u00a0<\/a><\/u><\/p>\n\t\t\t\t\"parasocial_duplicity_of_vaush_picture\"\n\t

“The Para-Social Duplicity of Vaush” by Sam Graff<\/a><\/u><\/p>\n\t\t\t\t\"the_locked_room_picture\"\n\t

“Chinese Horror Stories: The Locked Room” Episode 7\u00a0by Yang Qu\u00a0<\/a><\/u><\/p>\n\t\t\t\t\"the_eight_percent_picture\"\n\t

“the 8 percent” by Jade Kwitkiwski\u00a0<\/a><\/u><\/p>\n\t\t\t\t\"biophilia_picture\"\n\t

“Biophilia” by Matt Morley<\/a><\/p>\n\t\t\t\t\"nukes_picture\"\n\t

“Nuke Hampshire” by Braeden Hale\u00a0<\/a><\/u><\/p>\n\t

“Public Healthcast” Episode 5 by Tara Graham<\/a>\u00a0<\/u><\/p>\n\t

2022<\/h2>\n\t\t\t\t\n\t\t\t\t\"cover_2022_picture_by_lily_mcgourty\"\n\t\t\t\t<\/a>\n\t

Staff Bios, Author Bios, and Abstracts Brochure<\/a><\/strong><\/p>\n

Honors Theses, 2022<\/strong><\/p>\n

“How the Media Frame Mental Health and Social Media: A Case Study of the Facebook Whistelblower” by Meghan Switzgable<\/a><\/p>\n

“Public Monuments in Changing Societies and Political Orders” by Jake Connolly <\/a><\/p>\n

“The Orgasm Gap: What Role Does the Patriarchy Play in the Bedroom?” By Merrimac Moran <\/a><\/p>\n\t

Multimedia Messages<\/strong><\/p>\n\t\t\t\t\"come_back_home_picture\n\t

Come Back Home: Music, Dance, and Video Design as Methods of Relational Truth-Seeking<\/em>\u00a0by\u00a0Emily Shafritz, Lily Neher, Emily Wazer, Kevin Healey, Liese Zahabi\u00a0<\/a><\/p>\n\t\t\t\t\"digital_populism_of_thaksin_shinawatra_picture\"\n\t

“Cloud Rhetoric: Digital Populism of Thaksin Shinawatra” by Thomas Butt<\/a><\/p>\n\t\t\t\t\"youth_and_media_picture\n\t

“Youth and Media Digital Portfolio” by Jacqueline Helle<\/a>\u00a0<\/u><\/p>\n\t\t\t\t\"the_nerd_and_the_artist_picture\"\n\t

“The Nerd and the Artist” by Lydia Osmer\u00a0<\/a><\/u><\/p>\n\t\t\t\t\"parasocial_duplicity_of_vaush_picture\"\n\t

“The Para-Social Duplicity of Vaush” by Sam Graff<\/a><\/u><\/p>\n\t\t\t\t\"the_locked_room_picture\"\n\t

“Chinese Horror Stories: The Locked Room” Episode 7\u00a0by Yang Qu\u00a0<\/a><\/u><\/p>\n\t\t\t\t\"the_eight_percent_picture\"\n\t

“the 8 percent” by Jade Kwitkiwski\u00a0<\/a><\/u><\/p>\n\t\t\t\t\"biophilia_picture\"\n\t

“Biophilia” by Matt Morley<\/a><\/p>\n\t\t\t\t\"nukes_picture\"\n\t

“Nuke Hampshire” by Braeden Hale\u00a0<\/a><\/u><\/p>\n\t

“Public Healthcast” Episode 5 by Tara Graham<\/a>\u00a0<\/u><\/p>\n\t

2021<\/h2>\n\t\t\t\t\n\t\t\t\t\"t-hall_digital_cover_2021\"\n\t\t\t\t<\/a>\n\t

Staff Bios, Author Bios, and Abstracts Brochure<\/a><\/strong><\/p>\nHonors Theses, 2021<\/strong>
\n“Uses Unaddressed: How Social Technologies Tacitly Allow Gender-Based Violence” by Brooke Marston<\/a>\n

“Art Spaces as Third Places for Everyday Political Talk” by Alexa McNamara<\/a><\/p>\n\t

Multimedia Messages<\/strong><\/p>\n\t\t\t\t\"piano_picture\"\n\t

“Dealing with Absolutes” by David Hadley<\/p>\n\t\t\t\t\"behind_the_farm_stand\"\n\t

“Behind the Farm Stand” by David Hadley, Danielle Forte, and Jonathan Goldberg<\/a><\/p>\n\t\t\t\t\"marstonfake_geek_girl\"\n\t

“Fake Geek Girl: Analyzing (and Gamifying) Gendered Fan Gatekeeping”\u00a0by Brooke Marston<\/a><\/p>\n\t

2020<\/h2>\n\t\t\t\t\n\t\t\t\t\"final_comm-entary_cover_tree_with_statues_1\"\n\t\t\t\t<\/a>\n\tStaff Bios, Author Bios, and Abstracts Brochure<\/a>
\n<\/strong>\nHonors Theses, 2020<\/strong>
\n“Representations of Women: A Media Intentions and Effects Analysis of the Popular Music Industry” by Emily A. Bourne<\/a>\n\t

Multimedia Messages<\/strong><\/p>\n\t\t\t\t\"a_reading_of_seamus_heaneys_blackberry_picking_by_brier_haigh\"\n\t

A Reading of Seamus Heaney’s “Blackberry Picking” by Brier Haigh<\/a><\/p>\n\t\t\t\t\"durango_train_photo\"\n\t

“Celebration of Durango, CO” by Mila Snow<\/a><\/p>\n\t\t\t\t\"nelson_at_kent\"\n\t

“Martin Luther King Day Keynote Address” by Nelson Thomas (January 20, 2020, the Kent School in CT)<\/a><\/p>\n

Nelson’s MLK Keynote Address Transcript<\/a><\/p>\n\t\t\t\t\"sh_image\"\n\t

“Braincandy” by Sarah Hinzman<\/a><\/p>\n\t\t\t\t\"sh_image2\"\n\t“Remission Kitchen” by Sarah Hinzman<\/a>
\n(PROTECTED BY PASSWORD: “Cannabeth”)\n\t\t\t\t\"be_a_man_image\"\n\t

“Be A Man – Internet’s Influence on Social Change” by Marlo Ellis<\/a><\/p>\n\t\t\t\t\"walk_talk_image\"\n\t

“Walk the Talk: Conversations about Conversations about Race” by Adam Bovie, Eva Ford, Christine Speranza, Apekshha Thapa<\/a><\/p>\n\t

VISUAL SUBMISSIONS ARCHIVE,\u00a0Selected for Comm-Entary in collaboration with Collective for Advancing Multimodal Research Arts (CAMRA<\/a>)<\/p>\n\n","protected":false},"excerpt":{"rendered":"

2023 Staff Bios, Author Bios, and Abstracts Brochure Honors Theses, 2022 “How the Media Frame Mental Health and Social Media: […]<\/p>\n","protected":false},"author":133,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-46","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.usnh.edu\/commentary\/wp-json\/wp\/v2\/pages\/46","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.usnh.edu\/commentary\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.usnh.edu\/commentary\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.usnh.edu\/commentary\/wp-json\/wp\/v2\/users\/133"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.usnh.edu\/commentary\/wp-json\/wp\/v2\/comments?post=46"}],"version-history":[{"count":15,"href":"https:\/\/sites.usnh.edu\/commentary\/wp-json\/wp\/v2\/pages\/46\/revisions"}],"predecessor-version":[{"id":377,"href":"https:\/\/sites.usnh.edu\/commentary\/wp-json\/wp\/v2\/pages\/46\/revisions\/377"}],"wp:attachment":[{"href":"https:\/\/sites.usnh.edu\/commentary\/wp-json\/wp\/v2\/media?parent=46"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}